UPDATE:
07 October 2006
Samarkand,
Uzbekistan
The
ancient "Silk Road" city of Samarkind...
GUEST
REPORTER: Todd Drummond, a native of Auburn, Alabama who has spent
most of his adult life living in Central Asia.
Uzbekistan,
January 2006
I
consider myself fortunate to have had an opportunity to live and work in
Uzbekistan. It is a beautiful and fascinating country. I first visited Samarkand
in 1997 while serving as a trainer of new Peace Corps Volunteers in Gulistan,
Uzbekistan, and returned again with my wife Natasha in January of 2006. During
the intervening years, many improvements had been made in the "tourist
infrastructure" of Samarkand but few tourists were flocking to Uzbekistan
by 2006, primarily due to the recent tension in relations between the Karimov
government and western countries. In May of 2005 the Uzbek authorities opened
fire on demonstrators in the Uzbek city of Andijan and many sources
estimate between 400-750 people were killed. The official government death toll
is around 180 and the authorities claim that "terrorists" were to
blame for the deaths. Indeed, the demonstrations were triggered by a prison
break, led by a small group of armed militants. What happened next however -
what events actually triggered the shootings- is subject to interpretation. In
short, the west's call for "an independent investigation" of these
events has been ignored by the Uzbek government to this day and relations with the west (especially the US) have chilled considerably.
From
November 2005 to March 2006 I worked in Uzbekistan for the American Councils for
International Education. Since I left Uzbekistan, our organization, along with
many others, has unfortunately been shut down. The US government's critical
stance toward Uzbekistan since the Andijon events led to the closing of many US
government funded NGOs and projects. Nonetheless, if you are not taking a
principled "anti-Karimov stand" based on his authoritarian style of
governance, it is still relatively safe to travel in Uzbekistan, assuming that
you can get a visa.
[Photo
at left: Ancient scientists inside Ulugbek Madrassa]
Be
fore
the recent political upheaval, perhaps what Uzbekistan was best known for was
its remarkable cultural and architectural heritage as home of the great
"Silk Road Trade Cities" of Samarkand, Bukhara and Khiva. The pictures
here were all taken in Samarkand in January 2006. As Samarkand is indeed the
"Pearl of Central Asia" when it comes to architecture, this photo
collection is long on straight lines, geometric shapes, ornate tile work and
calligraphy - and short on everything else! Including other motifs would not
have allowed me to do justice to the splendor of Samarkand's architectural
beauty. Even these photos don't do justice to Samarkand - you have to really
experience it to get "the full picture."
[Photo
at right: Bibi Hamin Caligraphy]
While
Samarkand has a long history, most of the significant city monuments we see
today are from the "Timurid period" from the late 14th century until
the end of the 16th century. Samarkand served as Timur the Great's (Tamerlane,
conqueror of much of the eastern world) capital in the late 1390s and early
1400s and is also known as a
medieval
Islamic Renaissance city in which Avicenna, Ulugbek, and other mathematicians,
writers, astronomers, miniaturist painters, and philosophers lived and worked.
One of the first observatories ever built, complete with telescope for viewing
the cosmos, was built in Samarkand by the astronomer Ulugbek in 1428. While the
modern Uzbeks are a Turkic people, these ancients cities developed and thrived
at a time when intellectuals of the region ascribed to a thriving Perso-Islamic
culture. Looking at photos of Samarkand you are reminded of similar structures
in cities like Herat, Mazar-i-Sharif, Isfahan, Tehran, Tabriz, and even Baghdad.
While many of the great political and even some literary figures of the period
were Chagatay Turks, Farsi was the literary language, alphabet and primary
source of cultural inspiration. Alisher Navoi, "father of Uzbek
literature," wrote his major works in both Farsi and Chagatay Turk (or
Uzbek - depending on your politics). In the late middle ages, there was no Uzbek
"nation-state" in Central Asia and many of the "Persofied"
Turkic cultural elites moved from city state to city state, working and residing
in several places like Herat, Bukhara or Samarkand at different stages of their
lives. This movement of cultural elites and ideas, sometimes freely - sometimes
by force, led to a fairly uniform architectural style and similar tastes in
literature and culture in much of the region - at least among the
educated.
[Photo
above left and below right: Bibi Hanim Mosque, 1404]
Like
most
significant
architectural and archaeological sites in the region, most sites of note in
Samarkand are mosques, madrassa complexes, mausolea (mazars)or fortresses.
Housing and other civic structures in medieval Central Asia were built from a
kind of clay brick which tended not to survive earthquakes, wars, heat and time.
Many of the main sites are now in a "state of restoration" or are in
desperate need of some such attention. Much of "the modern city" built
under Soviet rule is also in a state of real disrepair. In recent years, the
Karimov government has invested in restoring many of the ancient sites that
could potentially bring in more tourists to the region.
Many
of the medieval mosques and madrassa are primarily beautiful facades with little
remaining "inner core." The blue-tiled Persian decorative style that
characterizes Central Asia, Iran and Afghanistan is best seen in the Registan
complex consisting of three major structures (Tillikori Madrassa and Mosque,
Sher Dor Madrassa, and the Ulugbek Madrassa), the Gur Amir Mausoleum (burial
place of Timur the great – "Tamerlane"), the Bibi Hanim Mosque
complex, and the Shakhi Zinda mausoleum complex. Great architectural works were
started under the Timurids (end of 14th beginning of 15th century) and some of
the key structures date from that time, but there are also madrassa and mosques
from the 16th and 17th centuries as well as some earlier Sassanid structures (in
Bukhara for example) from as early as the 11th century, though these are few and
far between today.
For
the non-specialist, the striking features of medieval Central Asian architecture
are the beautifully shaped blue-tile, round cupolas, the intricate brick and
tile work with Arabic calligraphy, and geometric and floral designs. Tall brick
minarets often flank two or four sides of the main complexes. Some of the
religious buildings either did not function during Soviet times or served as
"museums to atheism." One of the more interesting characteristics of
Samarkand’s Registan is the façade of the Sher Dor complex (1619-36). The
depiction of animals and humans in Islamic art is rare (due to the belief in the
sacrilege of this practice), yet we see human faces, gazelles, and tigers all on
the front of one of Samarkand’s trademark buildings. One explanation for the
depiction of living beings on an Islamic complex is that earlier belief systems
still influenced the region at the time of construction. Long before Islam came
to Central Asia, nature and the natural world played an important part of the
belief systems of the local people. Buddhism and Zoroastrianism had roots here
long before Islam. Evidence of the importance of folk beliefs and the power of
natural world (the Sky God of "Khan Tengri" for example) can be found
in the fact that shamans (in the steppe at least) were respected people who
could "communicate" with the natural world and some current practices
and beliefs of the Uzbek, Kazakhs, and Kyrgyz can be ascribed to such
pre-Islamic belief systems. In short, the type of Islam that developed in the
region was perhaps a "synthesis of many belief systems," not simply an
adaptation of a stricter and perhaps more severe form of Islam from the Arabian
peninsula.
[Photo
at left: Cupola and tower at Sher Dor]
Samarkand
is
indeed an architectural wonder along the ancient Silk Road and is a must see for
visitors to the region. While time, the Soviet period of "development"
and now "post-Soviet stagnation" have taken off much of the
"luster from the Pearl," Samarkand is still a fascinating place and
the Uzbeks and Tadjiks that inhabit the city, are for the most part genuinely
hospitable and proud of their ancient heritage. Walking onto the Registan
complex, where three of the main architectural wonders stand, I never failed to
have what I call "a Grand Canyon" or "Taj Mahal moment."
That is, the irresistible urge to start snapping pictures from each and every
angle, regardless of how many photos I had already have taken. Thank god for
digital cameras! Like the Grand Canyon and Taj Mahal, as the light, time, and
perspective all change, so does the view and you just can't seem to get enough
pictures: in a word, very inspirational.
Samarkand,
and Uzbekistan in general, is still an ideal place for "adventure
travelers" who will not be too put off by lack of amenities and occasional
travel hardships. Like other parts of Central Asia, Uzbekistan is still little
visited by westerners due to its location. It is still possible to "have
all the splendor to yourself." And what a shame it is that more Americans
are not exploring Uzbekistan. We were sad to say goodbye to Uzbekistan but know
that we will be back to explore again in better times.
[Photo
at right: Cupola of Bibi Hanim Mosque, 1404]